tag:blogger.com,1999:blog-45922406066008336712024-03-14T00:21:59.957-07:00Visual Art from Poland: Contemporary and 20th Century Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.comBlogger42125tag:blogger.com,1999:blog-4592240606600833671.post-91134735481626414502014-02-20T08:38:00.000-08:002014-05-30T07:37:37.504-07:00 Kiev Hold On! From NYC to Kiev. Jan Bajtlik and Pawel Althamer performance @ New Museum. Feb 19, 2014.<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #37404e; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;">I have to share this wonderful photograph. </span><a data-hovercard="/ajax/hovercard/user.php?id=100001059885991&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/jan.bajtlik" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px; text-decoration: none;">Jan Bajtlik</a><span style="background-color: white; color: #37404e; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"> and an important message at </span><a data-hovercard="/ajax/hovercard/page.php?id=103181109736520&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/pages/Pawel-Althamer/103181109736520" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px; text-decoration: none;">Pawel Althamer</a><span style="background-color: white; color: #37404e; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;">'s exhibition at the </span><a data-hovercard="/ajax/hovercard/page.php?id=12810599610&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/newmuseum" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px; text-decoration: none;">New Museum</a><span style="background-color: white; color: #37404e; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;">. Here's is a video of the performance, please watch: </span><br />
<a href="https://www.youtube.com/watch?v=CZUIbV8jvu8#t=17">https://www.youtube.com/watch?v=CZUIbV8jvu8#t=17</a>Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-62450712870388097042014-02-19T08:35:00.001-08:002014-02-19T08:37:39.136-08:00Kaja Renkas in STL April 4<div class="separator" style="clear: both; text-align: center;">
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<b>Infirmary of the Subconscious</b></div>
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Contemporary Polish Posters by Kaja Renkas</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdvbmYJD2cTs2k8eMlBLMBfeTTHoozlDOHl-0kJxync1zz2EgS_1VmrlGWDEHthfMhz_7uCXZy_iIybfVE4JsFnDyW-6KzO8_zqfnRu9cRaUThyIWZ07_GjhyphenhyphendtjrIFtCGudzWoCn1D8/s1600/tofalogo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdvbmYJD2cTs2k8eMlBLMBfeTTHoozlDOHl-0kJxync1zz2EgS_1VmrlGWDEHthfMhz_7uCXZy_iIybfVE4JsFnDyW-6KzO8_zqfnRu9cRaUThyIWZ07_GjhyphenhyphendtjrIFtCGudzWoCn1D8/s1600/tofalogo.JPG" height="50" width="320" /></a></div>
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<span lang="en-US" style="font-family: "Baskerville Old Face"; font-size: 12.0pt; language: en-US; line-height: 119%; mso-ansi-language: en-US; mso-ascii-font-family: "Baskerville Old Face"; mso-default-font-family: "Baskerville Old Face"; mso-latin-font-family: "Baskerville Old Face"; mso-ligatures: none;">Artist Reception: April 4 at 7:00 pm<o:p></o:p></span></div>
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<span lang="en-US" style="font-family: 'Baskerville Old Face'; font-size: 12pt; line-height: 119%;">Special Guest Performance April 4 at 10:00 pm f</span><span style="font-family: 'Baskerville Old Face'; font-size: 12pt; line-height: 119%;">eaturing Rob Mazurek and Darin Gray</span></div>
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<span lang="en-US" style="font-family: 'Baskerville Old Face'; font-size: 12pt; line-height: 119%;">More info coming soon </span></div>
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<a href="http://kajarenkas.w.interia.pl/">http://kajarenkas.w.interia.pl/</a><br />
<a href="http://tavern-of-fine-arts.blogspot.com/">http://tavern-of-fine-arts.blogspot.com/</a></div>
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-80709435835739418722014-02-19T08:29:00.002-08:002014-02-19T08:38:20.177-08:00Ewa Budka in STL March 28 at Hoffman LaChance Contemporary<div class="separator" style="clear: both; text-align: center;">
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The Skin I Have Been Living In</div>
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Mokulito-Lithography on the Wood of Ewa Budka (Budkalito)</div>
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Opening reception Friday, February 28, 6-10 pm</div>
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at Hoffman LaChance Contemporary</div>
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2713 Sutton Boulevard, St. Louis 63143 </div>
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When the human body is cut, the skin begins a new story: a story of the past, pain, restoration, memory, and the scar. This story is a universal lesson of pure reality. Budka illuminates these stories by replacing the cold, lifeless lithographer’s stone with swelling, breathing wood—wood that already has its own life story embedded within its grain. The wood absorbs Budka’s drawings and incantations forming an emotive picture of primal instincts, a cosmos of natural reactions—pain, frustration, animality, sexuality and love. But it is the skin that tells the body’s story. In Budka’s work the wood is the body and the paper becomes the skin that retains and maps the imprint of affectivity within the matrix of its own cellular structure.</div>
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Pioneering an Earth-friendly approach to the lithographic process, the alchemy of Mokulito allows Ewa to substitute water for chemicals. While printer’s ink sticks to the applied oil-based mediums (crayons, markers, pencils, and paint) water repels the ink from the untouched areas of the wood body keeping the original image intact for multiple printings and further manipulation.</div>
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Ewa Budka is a Master printmaker and fashion model. She graduated in May 2013 from the Department of Graphic Art and Design at the Academy of Fine Arts in Warsaw with the Rector's honors. Hoffman LaChance Contemporary is proud to host her show “The Skin I Have Been Living In” while she fulfills her residency at Paul Art Space.</div>
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http://www.ewabudka.com/</div>
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Text provided by Chris Smentkowski, curator for Polish arts and culture in St. Louis, Missouri</div>
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-85737567443358123952014-02-19T08:20:00.002-08:002014-02-19T08:42:16.057-08:00First Worms, Entire Forest at Underdonk in NYC<div class="separator" style="clear: both; text-align: center;">
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<span style="text-align: center;">First Worms, Entire Forest</span></div>
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<b style="font-size: medium;">Anna Minx and Chris Smentkowski</b></div>
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<span style="font-size: x-small; text-align: center;">February 22 through March 23, 2014</span></div>
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<span style="color: #333333;"><span style="font-size: x-small;">at Underdonk Gallery </span></span></div>
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<span style="color: #333333; font-size: x-small;">1717 Troutman Street, Brooklyn, New York 11385</span></div>
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<span style="color: #333333; font-size: x-small;"><b>Opening reception: February 22, 6:00 pm</b></span><br />
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<span style="color: #333333;">Piling on, as a human process, suggests a sort of compulsion; a potentially incarcerating habit of constant resurfacing, a refusal to settle for what’s already here. In her relief paintings, Anna Minx piles on and mingles contemporary and ancient landscapes with suggestions of the corporeal, placing tactile drips, pools and peaks alongside hints of manicured fingertips and static bare tendons. The resulting shapes reach and push in self-contained momentum, paused like fossilized bodies of our oldest animals, resisting the confinement of an eternal cycle. </span></div>
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<span style="color: #333333;">Chris Smentkowski’s work spans time materially and in the stories it implies. His ceramics are rolled and pounded into the soil behind his studio while wet clay, picking up odd bits of debris in the process. These collected bits are burnt out when fired, creating pocked impressions of dirt, and doubling the earth-memory of the clay. This sense of being earthbound is reconsidered in his paintings, which are inspired by memories of his travels through the Podhale region of southern Poland. Suggestive of an imagination wandering the woods, catching itself in branches, and an airy, bodiless freedom, they discount any assumption that we return wholly to the earth. </span></div>
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<span style="color: #333333;">These works together engage a particular psychology and aesthetic of confinement and liberation – animal and geologic, the young and the old, the living and the dead. Minx and Smentkowski create images and objects that we might be born knowing, or know before we die - a series of first and last images. Very old people, trees, and tectonic plates, and conversely, newborns, sprouts, and earthquakes - they don’t tell you everything they know, but you would listen if they did.</span></div>
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-47050513863128803542014-01-30T14:57:00.004-08:002014-01-30T14:58:46.617-08:00An interesting find (in English)an interesting article:<br />
<a href="http://www.news.cricoteka.pl/tomasz-kowalski-posters/">http://www.news.cricoteka.pl/tomasz-kowalski-posters/</a><br />
enjoy!<br />
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Tomasz Kowalski has a solo show up at the Contemporary Art Museum in St. Louis, Missouri.<br />
He's a very nice person with great taste in music... I met with him for a bit while he was here.<br />
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In the meantime, here are two Polish art blogs he recommends:<br />
<a href="http://magazynszum.pl/">http://magazynszum.pl/</a><br />
and<br />
<a href="http://www.biweekly.pl/">http://www.biweekly.pl/</a><br />
Of course, one should not forget Obieg:<br />
<a href="http://www.obieg.pl/">http://www.obieg.pl/</a><br />
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And some of his work:<br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-90262736495463349582014-01-09T07:31:00.002-08:002014-01-09T07:31:21.838-08:00Jan Bajtlik's Etsy PageYoung Polish poster designer Jan Bajtlik has an Etsy page. Take a look: <a href="http://www.etsy.com/shop/JanBajtlik?ref=l2-shopheader-name">http://www.etsy.com/shop/JanBajtlik?ref=l2-shopheader-name</a>Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-17945487644221666782014-01-08T07:30:00.003-08:002014-01-08T07:33:04.408-08:00Co widać? Polska sztuka dzisiaj.<b>Co widać. Polska sztuka dzisiaj | As You Can See. Polish Art Today</b><br />
Feb 14 @ Muzeum Sztuki Nowoczesnej w Warszawie/ Museum of Modern Art in Warsaw<br />
<a href="https://www.facebook.com/events/704570496241984/" style="font-size: 16px; font-weight: bold;">https://www.facebook.com/events/704570496241984/</a><br />
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Apologies for not posting during the holidays -- it is my time away from the computer. I am also preparing for an exhibition of my own work at a gallery in Brooklyn, Feb 22. More info will be posted here.<br />
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-67136626315156859522013-12-18T08:53:00.000-08:002013-12-23T08:48:43.292-08:00Michał Jankowski (1977 - Current)(1977 - Current)<br />
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Studied at the University of Zielona Góra with degree in Painting under the supervision of<br />
Prof. Lech Knaflewski. Graduated in 2005.<br />
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Michał Jankowski’s paintings are focused details of a larger story where the imagery of fantasy and melancholy intertwine.<br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-90708795547137271932013-12-18T08:31:00.001-08:002013-12-18T08:31:59.304-08:00Zbigniew Kaja retrospective opens at the National Museum in Poznan.I just received the book for this exhibition, I'll post some pictures here soon. In the meantime, here's an article: <a href="http://www.rp.pl/artykul/9131,1073535-Sztuka-jako-przyjemnosc.html" target="_blank">http://www.rp.pl/artykul/9131,1073535-Sztuka-jako-przyjemnosc.html</a>Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-90336078166566845822013-12-16T09:22:00.001-08:002013-12-16T09:22:09.928-08:00Rafał Olbiński in SoHo, NYC 12/11/13-1/11/14<a href="http://culture.pl/en/article/painter-rafal-olbinski-in-soho" target="_blank">http://culture.pl/en/article/painter-rafal-olbinski-in-soho</a>Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-53023928942982705252013-12-11T09:32:00.002-08:002013-12-11T09:34:26.522-08:00Julita Wojcik (1971 – Current)<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">Studied at the Academy of Fine Arts in Gdańsk, graduated in 1997 </span><br />
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 115%;">The rainbow sculpture, "Tęcza" is undoubtedly her most notorious and
important work to date. Perhaps subconsciously retelling the story of Poland’s
regrowth after periods of devastation, Tęcza, often plundered and vandalized,
gets resurrected, remaining an icon of positivity and hopefulness. Read more
here</span><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">: <a href="http://culture.pl/en/article/outlaw-art-11-wanted-for-scandal" target="_blank">http://culture.pl/en/article/outlaw-art-11-wanted-for-scandal</a>.</span><br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"><br /></span>
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<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"><br /></span>
Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-20278359812673376382013-12-11T07:48:00.001-08:002013-12-11T07:48:01.896-08:00Posters Are Sexy series by Ryszard Kaja: Collection of Chris Smentkowski<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-19122773908420608592013-07-08T13:18:00.001-07:002013-12-11T07:48:31.773-08:00Jan Henryk de RosenI have been granted permission to curate an exhibition from the Ravenna Mosaic archives at Saint Louis University's Pius XII Memorial Library on celebrated Polish muralist, exile, and war veteran, Jan Henryk de Rosen. Jan Henryk de Rosen designed the main dome at the Cathedral Basilica of Saint Louis -- it is often hailed as the largest mosaic in the world. More info to come soon.<br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-41543185279034696302013-07-08T13:00:00.002-07:002013-12-11T10:28:56.649-08:00Against All Odds: Polish Graphic Design 1919-1949, Piotr Rypson. Karakter Press<div>
Against All Odds: Polish Graphic Design 1919-1949, Piotr Rypson. Karakter Press, 2011</div>
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Jarek Czernikiewicz obtained a copy of this book for me. It is a really thorough and amazing volume on interwar Polish graphic design. I am working on bringing this author to SLU's International Studies Department for a lecture in association with Saint Louis Polonia.</div>
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Please read more here: <a href="http://www.printmag.com/design-inspiration/polish-graphic-design-illustrated/" target="_blank">http://www.printmag.com/design-inspiration/polish-graphic-design-illustrated/</a><br />
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-66039411090999807182013-06-20T11:53:00.003-07:002013-12-11T10:29:10.308-08:00Marlena Kudlicka, The Weight of 8 at Zak | Branicka gallery 6/21/13 - 8/31/13MARLENA KUDLICKA | THE WEIGHT OF 8<br />
21/06/2013 - 31/08/2013<br />
<a href="http://zak-branicka.com/exhibitions.php" target="_blank">http://zak-branicka.com/exhibitions.php</a><br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-62766748804818708472013-06-20T11:49:00.003-07:002013-06-20T11:49:47.393-07:00Joanna Zastróżna (1972 - Current)Joanna Zastróżna (1972 - Current)<br /><br />Studied at the Academy of Fine Arts in Gdańsk, graduating in 1997 <br /><br />Her photography mainly consists of negatives that have been drawn on and colored in a distinct colorful fashion that often involves images of humans and/or animals suggesting injury, perversion, and trespass. Bodily fluids, nudity, bandages and other medical equipment often appear in her experimental work which is influenced by and reminiscent of radiographs and X-rays. <br /><br />Her website: <a href="http://www.zastrozna.asia/" target="_blank">www.zastrozna.asia</a><br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-1939817067766039172013-06-20T11:33:00.001-07:002013-06-20T11:33:14.102-07:00Greatest hits from the Polona digital library<strong>The National Library’s Digital Polona collection: </strong><br />
<a href="http://www.blogger.com/%20%20%20http://www.culture.pl/web/english/resources-literature-full-page/-/eo_event_asset_publisher/eAN5/content/greatest-hits-from-the-polona-digital-library" target="_blank"> http://www.culture.pl/web/english/resources-literature-full-page/-/eo_event_asset_publisher/eAN5/content/greatest-hits-from-the-polona-digital-library</a>Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-37365716603599597372013-06-04T09:03:00.001-07:002013-06-04T09:03:25.283-07:00Marta Deskur (1962 - Current)Marta Deskur (1962 - Current)<br />
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Studied at the Academy of Fine Arts, Krakow.<br />
Studied at <span style="background-color: white; color: #565656; font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 115%;">École des Beaux-Arts in Aix-en-Provence, France. </span><br />
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<span style="background-color: white; color: #565656; font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 115%;">Marta Deskur's light box installations capture tension and straining force through composition and through positive vs. negative values. Almost all these works have a unique omission, this omission suggests a metaphysics only implied or suggested, certainly not tangible. More information on her work here: <a href="http://www.culture.pl/web/english/resources-visual-arts-full-page/-/eo_event_asset_publisher/eAN5/content/marta-deskur" target="_blank">http://www.culture.pl/web/english/resources-visual-arts-full-page/-/eo_event_asset_publisher/eAN5/content/marta-deskur</a></span><br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-27155408566671706282013-06-03T14:22:00.004-07:002013-06-03T14:24:37.157-07:00Władysław Hasior (1928 - 1999)Władysław Hasior (1928 - 1999)<br />
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Studied under Professor Antoni Kenar at the
State Secondary School of Visual Art Techniques in Zakopane.</div>
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Studied under Marian Wnuk in sculpture at the Academy of Fine Arts in Warsaw. </div>
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Studied under Ossip Zadkine in Paris. </div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Hasior
may be my favorite artist of all time. How could I not love an artist who sets
the majority of his public works on fire at the opening? In Zakopane I had the honor of visiting both
his grave and his studio-turned-gallery as well as the Hasoir collection at the National Museum in Wroclaw and Krakow, Poland. A local Zakopane girl said it best when she
described his work as "devastating." In my opinion his sculptural works are surreal abstractions of the Podhale region's folk art, but certainly still devastating on many levels. I could go on and on about the relevance and importance of Hasior's work, but there is enough already out there in internetland on Hasior to help you form your own ideas. However, nothing compares to seeing his work in person. Many of the photos below I took while
travelling in Poland.</span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">A quick bit of trivia: A pair of students used found rusted scraps of Hasior's Firebird sculpture for their MFA exhibit, mostly to show the poor and forgotten condition of the sculpture, calling for a restoration of the work. </span></div>
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<a href="http://www.muzeumtatrzanskie.com.pl/index.php?strona,menu,pol,glowna,1446,0,1446,ant.html" target="_blank">The Władysław Hasior Gallery, Tatra Museum, Zakopane</a></div>
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Firebirds: A young Hasior flees the scene after igniting his sculpture at the opening (lower right corner)</div>
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Hasior's grave in the old cemetery, Zakopane (designed by his students)</div>
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-90108111221347561422013-05-24T13:13:00.003-07:002013-05-28T16:28:09.118-07:00Images from Ryszard Kaja's Flora, Phallus, Fauna exhibit Official Flora, Phallus, Fauna page including supporting events:<br />
<a href="http://braintransplant.org/floraphallusfauna/" target="_blank">http://braintransplant.org/floraphallusfauna/</a><br />
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Images from Ryszard Kaja's Flora, Phallus, Fauna opening reception in St. Louis, curated by Chris Smentkowski. Photos by Leszek Jamrozik and Jennifer Conroy. April 6, 2013: <a href="https://plus.google.com/photos/109973595227597764625/albums/5870150919890808913" target="_blank">https://plus.google.com/photos/109973595227597764625/albums/5870150919890808913</a><br />
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Images from PL/STL, curated by Chris Smentkowski, April 2012:<br />
<a href="https://plus.google.com/photos/109973595227597764625/albums/5729623978345714049" target="_blank">https://plus.google.com/photos/109973595227597764625/albums/5729623978345714049</a>Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-81941847309136162842013-05-24T08:44:00.003-07:002013-05-24T08:44:55.140-07:00Introducing Polish Poster Art <div class="Default" style="margin: 0in 0in 0pt;">
<b><span style="font-size: 11.5pt;"><span style="font-family: Calibri;">Introducing Polish Poster Art <o:p></o:p></span></span></b></div>
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<span style="font-size: 10pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="font-family: Calibri;">The story of Polish poster art starts in France at the end of the 19th century with Jules Chéret’s invention of the color lithograph. Established Polish painters such as Józef Mehoffer, Stanislaw Wyspiański, and Wojciech Weiss embraced this new medium, incorporating elements of Polish folk art with Art Nouveau and Social Realism. The resulting images, produced mainly for art openings and theater and ballet performances, were distinguished in quality and were immediately regarded as high art, leading to the first International Exposition of the Poster held in Kraków in 1898. <o:p></o:p></span></span></div>
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<span style="font-size: 10pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="font-family: Calibri;">When Poland gained independence in 1918 after the first World War, artists Stefan Norblin and Tadeusz Gronowski adapted the poster using it for advertising and tourism. As the country fell to Communist rule after World War II, however, Polish posters initially survived to propagate the Soviet agenda. This is also when things got interesting. The state had control of media during this period, so there was no commercial interest in advertisements.<span style="mso-spacerun: yes;"> </span>In the 1950s, this lack of commercial pressure, coupled with the relaxation of oppressive Stalinist policy, ushered in a period of creative experimentation in which Polish poster art took off as a unique form. <o:p></o:p></span></span></div>
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<span style="font-size: 10pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="font-family: Calibri;">The state did not care how the posters looked, as long as they were made, and there were plenty of great artists-- Henryk Tomaszewski, Wiktor Górka, Jerzy Flisak , Jan Młodożeniec, Waldemar Świerzy, Jan Lenica and Franciszek Starowieyski, among others--ready to take the poster to the next, bizarre, unrestricted, and surreal level of self-expression and artistic interpretation, beginning what is now known as the first “Polish Poster School”. For many years during this period, every film, performance, concert, festival or other public event had a commissioned poster. By 1968, the world’s first poster museum was opened in Wilinów, just outside Warsaw (the museum still thrives today: http://www.postermuseum.pl/)<o:p></o:p></span></span></div>
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<span style="font-size: 10pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="font-family: Calibri;">The next wave happened in 1970s Wrocław. For artists like Rafał Olbiński, Jan Sawka, Jerzy Czerniawski, Jan Jaromir Aleksiun, and Eugeniusz Get-Stankiewicz, nonconformity and dissension became the norm. Theirs were primarily conceptual posters, abstracting further upon what had already begun with the previous generation.Polish poster artists like Andrzej Pągowski and Wiktor Sadowski saw some success in the 1980s, but cuts in arts funding took their toll, and. many artists at this time fled the country to find work elsewhere. <i style="mso-bidi-font-style: normal;">Solidarność</i> (the rise of the Polish labor movement, also known as “Solidarity”) contributed to the decline of Polish poster art in the 1980s. With Solidarność came economic interest, and the interpretative freedom abundant in poster art under state control was hampered by studio and company demands that the poster as advertisement represent their product more directly. <o:p></o:p></span></span></div>
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<span style="font-size: 10pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="font-family: Calibri;">So, what about recent activity in Polish poster art? Krzysztof Dydo opened the Galeria Plakatu Kraków in 1985, which has held more than 200 poster art exhibitions in Poland alone. Since its inception the gallery has held annual poster competitions, helping to keep the struggling tradition of the art alive. Throughout this period artists like Andrzej Kilmowski not only clung to the Polish poster as an art form, but faithfully kept its spirit of individualism and interpretation. Kilmowski, in particular, used these traditions to launch a career in graphic design. Additionally, and more recently, the international scene has seen resurgence in printmaking, graphic art, and DIY culture. With these elements already on the rise , younger Polish artists have embraced the rich legacy of Polish poster art, producing some of the most important posters since the golden age of the 1950s, 1960s and 1970s. Artists like Kaja Renkas, Homework (the duo of Joanna Górska and Jerzy Sakun), Ryszard Kaja, and Michal Książek reflect back on the imagery that made the state-supported posters so popular, but are continually influenced by contemporary culture, often bringing a touch of humor harder to find in the political tumult of the past.<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 9pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-family: Calibri;">Chris Smentkowski</span></span></i></div>
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com1tag:blogger.com,1999:blog-4592240606600833671.post-90144537111309692772013-02-18T20:32:00.002-08:002013-02-18T20:32:12.322-08:00Józef Szajna (1922 - 2008)<div>
Józef Szajna (1922 - 2008)</div>
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Studied at the Krakow Academy of Fine Arts.</div>
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Co-founder, director, artistic director of the People's Theatre in Krakow.</div>
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Founded the Warsaw based "Teatr Studio". </div>
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Painter, designer, director and professor of the Academy of Fine Arts in Warsaw.</div>
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He is a survivor of both the Auschwitz and Buchenwald concentration camps, where he was held prisoner during WWII (prisoner number 18729). </div>
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Szajna's imagistic art is directly related to the Holocaust. Like many Polish artists of his time, his work is dark, not "pretty", and deeply involves memory. His imagery is often shattered remains of personhood and the psychology of hope, the seemingly unattainable struggle for something beyond the circumstances that befall and bring horror to the human condition. In Poland, however, Szajna is most well-known for his innovations with theater; His theater, which also deals directly with the memory and monstrosity of the Holocaust, seeks abstraction and becomes theatrical "art".</div>
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Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-56073921928062350932013-02-18T20:00:00.002-08:002013-02-18T20:02:40.796-08:00Konrad Jarodzki (1927 - Current)<span style="font-family: Verdana, sans-serif; font-size: 12px; line-height: 13px;">Konrad Jarodzki </span><span style="font-family: Verdana, sans-serif;"><span style="font-size: 12px; line-height: 13px;">(1927 - Current)</span></span><br />
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<span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;">Studied architecture at </span><span style="font-family: Tahoma, sans-serif; font-size: 14px;">Wrocław </span><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;"> University of
Technology.</span><span class="apple-converted-space"><span style="font-size: 13.5pt; line-height: 115%;"> </span></span><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;"><br />
Studied painting at the Academy of Fine Arts, </span><span style="font-family: Tahoma, sans-serif; font-size: 14px;">Wrocław.</span><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;"><br />
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</span><span class="tekstnorm"><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 13px;">Architect.</span></span><span class="apple-converted-space"><span style="font-size: 13.5pt; line-height: 20px;"> </span></span><span class="tekstnorm"><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 13px;">Artist Painter.</span></span><span class="apple-converted-space"><span style="font-size: 13.5pt; line-height: 20px;"> </span></span><br />
<span style="font-family: Verdana, sans-serif;"><span style="font-size: 9pt; line-height: 115%;">I first saw </span></span><span style="font-family: Verdana, sans-serif; font-size: 12px; line-height: 13px;">Konrad Jarodzki's</span><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;"> paintings at the National Museum in </span><span style="font-family: Tahoma, sans-serif; font-size: 14px;">Wrocław </span><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;"> His paintings are large, three dimensional, soft monochromatic textural pieces. Many of his works are executed with the linear precision of an architect imitating the undulations of the natural world (air, clouds, water, smoke bulbous fatty deposits), but with a mild psychedelic appeal. </span></div>
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<span class="tekstnorm"><span style="font-family: Verdana, sans-serif; font-size: 9pt; line-height: 115%;">I can't find much information about him online, but here is a link to his website (in English and Polish): <a href="http://www.konrad.jarodzki.pl/" target="_blank">http://www.konrad.jarodzki.pl/</a></span></span></div>
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-25036329701390681752013-01-29T16:44:00.001-08:002013-02-07T20:47:42.510-08:00Izabella Gustowska (1948 – Current)<br />
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Izabella Gustowska (1948 – Current)<br />
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Studied at the Poznan Academy of Fine Arts under Tadeusz Jackowski (1972).<br />
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Gustowska represented Poland at the Biennale in Sao Paulo (1987).<br />
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One of the Poland’s pre-eminent video artists. Her work evokes personal experiences, individual emotions, resulting from reflection on the ambiguous nature of time. I first encountered her work at the National Museum in Wrocław which exhibited many of her works within the context of the gallery space, not particularly that of Gustowska’s installations. Here, her work appeared to me as lucid, dreamlike, three dimensional soft paintings; almost like melancholic, figurative relief quilts.<br />
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Visit her website for more information: <a href="http://www.gustowska.com/" target="_blank">http://www.gustowska.com/</a><br />
Her work also has a lot of You Tube presence.<br />
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<br />Anonymoushttp://www.blogger.com/profile/15164672110743814542noreply@blogger.com0tag:blogger.com,1999:blog-4592240606600833671.post-28223490580271214182013-01-29T16:18:00.001-08:002013-01-29T16:22:23.661-08:00Alfons Mazurkiewicz (1922-1975)<br />
Alfons Mazurkiewicz (1922-1975)<br />
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Studied at the Academy of Fine Arts, Wrocław, under Eugene Geppert.<br />
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Mazurkiewicz’s early paintings were surrealistic but by the late 1960’s and early 1070’s he began work on almost completely monochromatic paintings emphasizing the physicality of the surface. These works use thick oil paint to create rhythmic parallel lines, playing with light, giving the illusion of a morphing, unstable surface.<br />
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Unfortunately, it seems his work is not well known internationally.<br />
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